Tend

flagstaff protected night sky nasa fin tend 2 cmpr

Nothing much has changed since you’ve been gone.

We’ve still been unable to locate the source of that relentless banging and drilling noise. Current theories in the Moonlight Bar, the place from whence all theories emanate, are that it’s a collective hallucination or a broadcast from some ubiquitous and invisible truck or car from out of town or outer space.

As usual the move from one speculation to another causes some kind of spooky resonance that makes all prior speculation seem true so by the time speculation begins to look like explanation what prompted the speculation in the first place is so far removed as to be unrecognizable.

Tourists still come ashore and shuffle glumly to the mounds where they think the temples were. They complain about the heat as if we created it and they want to chastise us for poor climate design, or, more like, for living in a place where they think it’s too hot for better sorts of persons such as themselves to live.

Still, sometimes some one of them will flourish in our climate and will stay behind, belonging here as we do because they don’t belong anywhere else–like you did when you loved us, if you ever really loved us. If you did.

Shortly after you left, the factory shut down, the company’s buildings and our fields were still smoldering as they sailed away. Perhaps they feared we’d somehow fashion ourselves into rivals with the sticks and broken rakes they left behind. Now we tend weeds and water stones, so even though the baas is gone, the baas is still here.

Last week the bishop manifested in our little town to tell us that we bring our troubles on ourselves, that our current sad state is some kind of delayed aftermath of original sin and a multitude of subsequent transgressions and maybe even more recent transgressions yet to be brought to light.

Late at night when everyone’s asleep so deep you cannot even see them in their beds, I wander the beach. Out there alone, I am my own continent, I lie down on the sand and look up, and imagine I am some amorphous massless creature wandering forever through cold space, yearning for another lonely creature, maybe a mate.

We looked for you everywhere, how could you leave us everyone said, surely you’d never leave us, you must have drowned in the sea, you must have been snatched up and carried away by some fearsome beast from the forest, you must have been abducted by the aliens. I’m the only one who knows you took your clothes and my cash.

Don’t think even for a minute that I can’t sleep without you or that I still wonder where you are or that I wonder if wherever you are you look up at night and see the same stars I see.

I don’t.

_________________________
image: small detail from Astronomy Photo of the Day 06 April 2008: http://apod.nasa.gov/apod/ap080416.html.

Mind-the-Blanks 1

. . . a story to play with–the story emerges from what the reader’s mind does with the blanks when the reader is reading. No rules–it’s playtime.

The Couple

Two people, time, places, words, police . . .

Even before they were seated at __________, they started __________. They __________ about __________, but they both knew that what they were really __________ about was __________.

As usual, __________ claimed that __________, was __________. Then __________ claimed that that claim was totally __________ because __________ had actually __________.

“Don’t start,” __________ said and added, as usual, “Why do you always __________.”

And __________, as usual, responded by pointing out that __________ was the one who always __________. (And __________ never could resist adding that __________ was also __________.)

As usual, they were getting __________, and people nearby were __________. But what did they care? As far as they were concerned, they were __________, and other people were just __________. They never thought of themselves separately or together as __________ which, of course, was part of the problem whenever they __________.

The year before __________ had been in __________ for __________. During that time, __________ had __________, and __________ had never forgiven __________ for __________. In fact, __________ thought that __________ could not be __________ enough for __________ and started __________ every time they __________.

“Don’t think you can go on __________,” __________ said almost daily.

And __________ usually responded by saying, “I wish I were still __________ so you would just __________ about this and let me __________.”

And then __________ usually, sometimes rather too __________, said, “__________   __________.”

And so they had reached a kind of __________ when __________ found out that __________ had __________. The thought of this was so __________ that __________ could not __________ and instead of __________ proceeded to __________ at every opportunity, and such opportunities abounded because __________ simply refused to __________.

At night, __________ often dreamed that __________ and awoke to discover that __________. Of course, __________ thought that __________ was responsible for __________. But what bothered __________ the most was __________ failure to __________ when the opportunity arose.

For months, early (too early) every morning, __________ sat in the __________ looking at __________ and thinking __________had really __________ things up this time.

And so it was that things got so __________ that __________ began to devise __________ plans to __________ with __________ even though, as any sensible person would know, __________ would never __________ and any attempt to __________ would only __________ the __________.

Later on (but probably not later enough), when __________ was being __________ by the police in a rather __________ manner, __________ would put on a __________ face and assert that __________ was in fact __________ and had been attempting to __________ the __________ when it __________. Of course, __________ didn’t believe that __________ had __________, but played along with __________ hoping for __________ that was never __________.

And never would be.

Never Can Tell

Natl Archv Ranger Daughter Axe mod 3

A man with an axe and a girl, a forest ranger and his daughter, he seems focused on the axe, she’s looking on in that polite but hanging-back-in-your-mind way that kids look on when adults are making you look at something and never telling you why they want you to or why you have to sit there and be still until whatever it is they’re not really explaining to you is over, I just came out here because Mama wants me to ask if he wants coffee in a thermos, those tadpoles down in the creek yesterday hope they’re still there wonder if they’re frogs yet, maybe he’s working his way around to saying something about me scaring the bejesus out of Yaya last night, really shouldn’t have done that, wood feels good on my feet, warm, smooth, why is he all closed up over that thing like he’s glued to it or like it might fly off on its own if he doesn’t wrangle it down or something?

He’s working on the axe in an acting-ordinary kind of way, but he’s a little wound up, he’s trying to figure out how to say what he has to tell her, but every way he runs it by in his head it’s just too Continue reading

Supernatural

dover fairy crop grainy midtn 2 tint 2

It started, as all such things purportedly start, on an otherwise ordinary day several weeks ago when someone’s border collie transformed—without warning—into a moderately good-looking man with whom that someone began spending all her time all over the house engaged in what the local paper referred to as “questionable activities” until someone discovered what was going on when she didn’t show up for work three days in a row (like, why did it take three days to start wondering) and a relative of hers who is a policeman was convinced, probably without very much encouragement, to kick open her locked back door and inspect the premises.

Then an encampment of demons—membranous wings and leathery codpieces and brassieres, the whole bit—suddenly sprang up in the fields and pastures just outside town, alarming farmers who attempted to spray them away with huge hoses and failing in that took up their pitchforks—yes, pitchforks—and other rustic implements and attempted to no avail to chase them Continue reading

Mind You Don’t

zinnia htmp 1

“Mind you don’t trip on Mina,” she said but I would never not see Mina the cat, if she was a cat as big as me she would hold me on her furry lap and hug me and I would hug her back not like all those people I can’t touch who won’t touch me. Ever won’t touch, or hug. No, I would not mind Mina. Mina is in my mind whenever I see her or sometimes just feel her on her way to me, and we have the same stomach, always wanting more but our paws swatted down until we try to be in the mind of those others: please give us more, more, more. “Now, Lucy, don’t get agitated,” she will say or he will say or someone and I wrap my skin up tight like a bandage around me and my head is big and round and hot and burns inside like my hand on the stove. “I told you not! I told you not!” everyone all my life has been saying: not, not, not. Not, not, not. Not, not, not, not, not. No. But I love the work that makes us sit together like stringing and snapping beans they just keep coming into the bowl as soon as they leave until they are all gone. “Don’t eat too many of those, Lucy,” she says and I want to tell her that I am not eating them they are just suddenly in my mouth. But like always my words won’t come out except the first ones that huff with spit all around them: “I . . . I . . . I . . .” is all even though the others are lined up behind my mouth pushing and shoving to get to the front to say what I forgot. Sometimes one perfect one comes out yesterday or forever ago the zinnias in the garden so stiff and stemmed like okra hard to cut but then in the evening in the dark vase like the picture so happy, so “pretty,” I say and “yes they are” she says but I don’t know if she is my mother or my brother’s wife but she smiles and I would hug but not, not, not, you hug too hard. Now that she is sick there is always water rushing through my chest like a spring flood and when I see my brother’s face or hers or my mirror face my head is full of thunder so much can’t they hear? I want to roar at night tears knife my face I step back inside my body to get away from my eyes but they won’t stop I put the pillow over my head. Not, not, not, not, not. I try to help I burn things on the stove and cut my fingers. “It’s all right,” she says and her cool hand rises and falls on the quilt. “Just sit still here with me,” she says, “and everything will be fine. I just need to rest.” Maybe she is my sister, all her words are soft and she sleeps and I watch and that is what I do best to watch and make it safe to sleep so there won’t be any more not knowing what to do but I can’t watch all the time. Mina comes with me come here Mina and we sit on the side porch where shade is at noon and afternoon and there are old books there I saw her reading one time what are those she told me “food for thought” and when I see them I feel the sharp bellyache of the raw beans that got in my mouth so I had to eat them but it’s worse than that now there’s something like death in those books I am glad I can’t read I don’t know what they might do. Others have died and smelled like lilies or like ice milk and people bring flowers that already smell like the dead and close them up forever but these books smell like ashes. She will not die I will not let her and not to let her while she sleeps I sit here penning blue ink in every O in all these books so the words behind them can’t get out and they will make a fence around us so we stay inside until we can sit together with big bowls on our laps full of things to do and listen for him coming back from the fields or the mill. “Oh, oh, oh,” I heard her say once and bent to see the cutworms in the ear of corn and it is bad and they are endless but as long as I am doing death is not happening. As I fill them in they are black and I am blue and sometimes I wash up onto the lip of them like hot water in a pan I carry from the sink to the stove or carried or will carry the water swinging from one side to the other it just has to stop. But it is cool now and almost so dark I cannot see. I can feel Mina’s sleep in her head and now it’s in mine I can’t stop it drifting in from the sick room the fever of sleep she will not I will not let her. And dark washes up to the lip of the world and pours over everything I have done all the mouths I have closed and their ears through which they would suck our breath out if we spoke to them but we won’t say anything now we’ll just wait and see.

This story was published in The Altar Collective Volume V: Lullaby, Aug. 2014: 12-14.

Anywhere Anyway

 

way home sky crp

just you, just passing by which you are always only doing anyway

Looking out over the bay, black water and shimmy of lights on the freeway, the hills on one side, the city on the other, like some impossible place, I was struck with a thought the certainty of which was so intense that it was exhilarating: you could be unhappy anywhere. I said it aloud and laughed. I might not be happy anywhere, but I could be unhappy anywhere. I didn’t owe it to a place or a person to try to be happy, and all that trying always only means that happy is always not happening.

But if you could be unhappy anywhere, anywhere would do, any series of anywheres would do, no need to confine oneself to the imaginary places of cities or tick-tock suburbs or the don’t-imagine place of trailer parks, although perhaps some indefinitely prolonged tenure in one of those pull-in-here- we-got-a-pool places where tired dads finally give up the wheel and there’s a lounge of some kind nearby with those knobby teardrop candle holders the ones waitresses light by holding the safe end of a match between two fingers, lucky if it lights the first time you’re always going to burn a finger now you’ve done it.

Some guy shows up, you thought he was already dead, and there’s this faraway low bank of godforsaken hills like denuded things, something about them that you really shouldn’t be seeing like that time you saw your boss in an unlikely place actually sitting no shit at the feet of her boss with the mooney look of worship on her mean face, don’t look now but then you can’t undo seeing, and the lowlands stretching out to the horizon like a, like a I-don’t-know-what, and you’re alone in the pool at night, floating in a sky where you can’t land on anything. There might be something to that, or nothing.

Or you could just be on a plank road headed down into something hard to get out of or in a boat stitching into little ports along the southern coast of some island, some world. Or a little sticky place above some small-town shop the walls the color of old newspapers out in the sun, always smelling like newspaper, too, or cold toast, the window up there open, the sound of the typewriter reaching across the road up there, no one else awake, just you, just passing by which you are always only doing anyway, just wondering what someone is typing on a manual typewriter, maybe someone just a tad mad or just some forlorn someone wording and rewording something for someone who will never love them, the words barely holding off knowledge of the kind that cuts a lonely space around you that will never go away or that you always carry with you like something you can’t put down, you can’t let go, the thing you arrive at the party or the port with and no one anywhere knows where to put it, not even you, jackrabbit.

Anywhere, at least not some place where it’s winter almost all the time, but somewhat textured weather, maybe even occasional hail and a tornado or two, but mostly warm now that all the sexy parts of you have melted not that anybody anyway, nobody phoning up for you or mailing you a letter, like you care, but you don’t, you know, what a relief that finally you really don’t anyway. In some anywhere where you could be unhappy all that could just be over with, then maybe you or someone could say come over to my place, don’t have to be happy unhappy, don’t have to do anything say anything, don’t have to anything, just be.

Second Life

We knew we would die and we didn’t care. When we discovered we were already dead, we reckoned we’d been conscripted.

For several millennia we walked the outer wall, which was not the same wall if one thought of it as, say, an inner wall, which is not to say that we ever knew where we were or who we were, if we were us or if we even knew each other.

At first–in a remnant of maybe someone’s old neighborhood or maybe some coastal sort of place where we were maybe born–there was only one landmark: an iridescent oil slick, left behind, someone claimed, by a factory of former ones plying furtive somethings in remote and desperate locales. Well, hell, someone said, is quite remote, but others disagreed, saying hell was usually located rather close to where one lived and thus, given that we were dead and all, probably was not the remote we were in.

Rumors reached us that our pets were pacing morosely about near some
Continue reading

Wet

Ito mer compr

A woman washes up on a lonely stretch of beach. The sun is barely up. Three men are passing by on their way to do some surf casting. She asks them what town they’re in, they look at her and quickly look away, she asks them for a drink of water and, of all things, a cigarette, they’ve got no time for female foolishness, they ignore her and walk on, their minds have gone on ahead to where they’re going.

Although the don’t-look-and-it-won’t-exist method of managing reality does sometimes work, in general, it’s just not good not to assist drowned women regardless of where they are or what they ask you for. If no kindness meets them on land, they are stuck there for years and years living again as ordinary women. More or less.

Give them wine, give them something to dry off with, be a friend, and they can go back to the water and you can go back to your life. But some men see a shitload of trouble when a woman suddenly rises up out of the sea. They don’t know what trouble is. Continue reading

Next

His first mistake, one that couldn’t be considered anything but a major mistake no matter how far away from it your mind was, ended up being precisely what he thought he was doing right at the outset when he enlisted the aid of a couple of sociopaths. They were eager to do, and relished doing, the thing he asked, though they were a bit sloppy about it—like cats, they liked to play with their prey. He winced when he thought of how often she must have thought she could get away, and how often they let her think that.

He just hadn’t thought much past getting them to do it. Didn’t think ahead, like, to the part where they would still be around and he might have to try to reason with them about various things, like would they leave and go back to wherever they had come from. They were in the kitchen now, fucking things up, which was what they generally did when they weren’t aimed in the direction of the miscellaneous criminal activity they enjoyed. There was just not going to be any clean transaction here.

They were wearing Melanie’s clothes, well, not exactly wearing, more like decorating themselves with Melanie’s clothes and jewelry. It bothered him a lot that they seemed to think of Melanie’s accoutrements–and his house–as part of their take for what they did to her, as if the money hadn’t been enough. The fact of it was that they didn’t really care about money, they didn’t understand money, and to his way of thinking people who didn’t understand money were people to be afraid of.

John-John—the other one was Jerry-Jo, Jesus, did they all have names like that—sauntered through with a pair of Melanie’s panties on his head, sauntered past him as if he wasn’t there, but he didn’t think about that right then. Oddly—since he didn’t think he noticed such things—he remembered Melanie wearing those panties when she undressed in a hotel room in Chania just last summer. How cool and dark and still it was in the room, the sun outside so bright and relentless it was like some kind of shout whenever you stepped out into it. But inside, her cool skin, the way she always smelled like warm rain, how he had loved her then.

When John-John and Jerry-Jo had moved in, he’d started going to church—any service, any day, any time, even the AA meetings Wednesday nights and the NA meetings Saturday mornings and those coffeecake meetings or doughnut meetings or whatever the hell they were. It wasn’t that he expected to come to Jesus and call down some kind of divine intervention to take care of his John-John-Jerry-Jo problem. He just thought that church was probably the only place he could be where they wouldn’t expect him to be.

But more than that, he figured church would be a good place to find a certain kind of psycho—an upright uptight finicky sort of psycho who wouldn’t move into your house and wear your wife’s panties on his head—a psycho who might be happy to take care of the other two and take a handsome sum of money and be done with it. Otherwise—and he couldn’t shake this feeling—he was next.

Saying Not Saying

onfim 8 b mod 1

This is how you make it stay still.

This is the part where you pick up a piece of paper and inspect it to see if there’s writing on it. This is a thing you do, it’s part of the part.

You want to know what everything says, that’s what you’d say if someone asked you, but no one will ever ask you, no one ever asks you anything, no one even listens now when you talk, so you’ve given up on saying.

But if someone did ask you something and then actually listened, you would say this, you would say I want to know what everything says, and so the one thing you would say that someone might listen to would be untrue because you don’t want to know what everything says–everything is too much saying and not enough said, there is entirely too much saying, nothing ever gets finished because there’s so much saying saying saying, uncontained promiscuous saying, it snakes into your house from work, it snakes out of everybody’s house out into the street, it’s wrapped around everybody’s head, the air so thick with saying you can hardly breathe, such a glut of saying that no word means more than any other word anymore, and anyone is someone-everyone-no-one.

This is how you make it stay still. This is how you look for saying that says.

This is how you got to the part where you’ve picked up this piece of paper, something lost or discarded on which someone might have written something, like all the other things you pick up, something public that has now become forever private by virtue of never arriving anywhere, except where you are picking it up, reading it in the expansive dead letter office you’ve become.

Grocery lists, phone numbers scribbled on the backs of flimsy receipts, take out menus with every fifth word heavily underlined or circled, crumpled and mauled looking high school exams with vines and flowers heavily inscribed in the margins, pages from coloring books, a photograph of a lost cat on a flyer, some yahoo has scrawled a penis shape over its face, a drawing of a doll, or a girl, with crosses over its eyes, a story underneath something that could be a hat or a pot: thn the spicemens kam from arisona en thir spiceshp an flewd al ovr up n hir.

One time a piece of notebook paper on which someone had written damn over and over, slanted left, right, straight up, even upside down exactly one hundred and thirty-two times, nothing good can come from all the counting you do, all the counting you can’t not do.

A letter, nobody writes letters anymore just rafts of email and barges of twaddle, probably then some ancient artifact: I hope you really didn’t see me at Bob’s the other night and that you weren’t just acting like you didn’t see me, though I don’t recall your vision being that bad. What is wrong? What? Why don’t you call me back? When we were down at the lake I thought we were happy. I thought you said you–the rest was a rip, a ragged edge, you keep expecting that missing strip to turn up somewhere.

Lost, tossed, looking all lonely, things that aren’t going anywhere. A notebook page covered with drawings of piles of cannonballs and knives and what appeared to be guinea pigs on their backs with their feet in the air, at the bottom of the page, the curlicued legend I conker all. A notecard on which someone had written in an old-fashioned fancy hand they shot him, they shot him.

The one you are now unfolding, written on stationery from Gramma’s Quainte Inne, written with a crawling sort of hand, someone has been needing to say something, someone has given up saying anything, someone has no one to say anything to: When I die, I want to be cremated by the King Tut society to. I will make arrangements for my body my bodily remnants remains my remains to be Arrangements have been made or will be made soon for the will be having have been made by for King Tut society to cremate me my body after I die pursuant to my death don’t scatter me over water don’t say anything. When I die I want

These orphan messages—once you read them bad luck to keep them, bad luck to throw them away, you’ve been stashing them in the crevice of a tree in the park down the street from your apartment, let the tree undo them, let the bugs chew them into lace, let the rain wear them down, let the world grind them down like everything else gets ground down till you can’t tell one thing from another.

There will be other pieces of paper you’ll pick up and read. One day one of them will be for you. There is a room inside you waiting for it, waiting for its saying, waiting for its numinous words.

_______________________
Altered image. Original image from: “The Art of Onfim: Medieval Novgorod Through the Eyes of a Child.” http://www.goldschp.net/SIG/onfim/onfim.html

Face

We hope this friendliness will guarantee a future without details.

This is the part where we become not exactly friends, but friendly, or, rather, we enact friendliness. This enacting is some way of having a face for each other that is not the face we have for each other. That face doesn’t know what to do. Or, rather, that face knows things to do but those things are too unseemly or unruly to be done.

This face—the face of our friendliness–knows what to do because it knows nothing. It’s rather like the face one of us had when one of us found out, the open face with a door closing behind it, or the face that pulls some sort of amnesia along behind it, keeping its luggage with it at all times and not agreeing to carry something in it for a perfect stranger.

In retrospect, it’s astonishing how alike those faces are—the face of the one finding out, the face of the one being found out. Though, of course, the one being found out had been wearing that face for some time, a rather long time in fact.

This friendliness itself is a tacit agreement, a step-down, a pact without details. We hope this friendliness will guarantee a future without details.

If one of us thinks this friendliness is a truce, one of us doesn’t understand. If one of us thinks it’s like let’s do lunch, one of us doesn’t understand. If one of us in the future thinks help me move my furniture, one of us doesn’t understand. If one of us in the future thinks take care of the cat while I’m in the hospital, one of us doesn’t understand.

If one of us keeps mementos of a past us and the other one of us discovers the thumbed box, the thumbed photos, the thumbed postcard from twenty years ago, the lock of hair, that one, the discovering one, will be alarmed.

If one of us just happens to be passing by some trash receptacle in which the other of us has deposited, say, something that had formerly been valued—apparently valued—as a shared object—that perfectly good painting, for example–that one of us just passing by and just noticing might also be alarmed. This is why friendliness must be enacted in public where it will bear no resemblance to evisceration.

Violations of this friendliness will require the invocation of busy-ness and absence, so friendliness establishes busy-ness and absence in advance, a general kind of busy-ness and absence, a future state of things already beyond one’s control that insures the stateless state of the present.

The face of this friendliness is like a mirror that doesn’t reflect anything. It is something that cannot be studied or searched for anything other than its general look of interest or goodwill. It is the face from behind which one can say things like you poor thing how terrible! or that’s great news! that’s really wonderful!

It’s a face one thought oneself incapable of, there’s always so much cheerful sweeping up behind it.

Conjure

This is the part in which you are strolling with the conjure woman in a garden filled with inexplicably scary or scarily inexplicable prehistoric looking plants, gigantic things, dwarfing, one supposes, the mere humans in the middle distance and reminding us of the, oh, the ephemerality of it all. Of course, the reason you’re with the conjure woman is that you thought she could do something about the ephemerality of things, specific things–fading, fleeting, gone already, in the kind of past that really is over. She is saying to you or maybe to me “I tol’ you and tol’ you so” or, perhaps, “I tol’ you so-and-so” or perhaps she is just nodding her head in that tired you-wouldn’t-listen way.

No matter. What she told you before that you wouldn’t listen to is this: if you have to make a charm for someone to love you, you have to take whatever kind of love you get from it, but you also have to take whatever kind of love it makes you give. Or, rather, you have to take the person you become when what you want to have for love is something that the person you want it from really doesn’t want to give you. In other words, in the scene from the past that may be appearing in a thought bubble in your vicinity, you asked for a mojo hand to make something happen that wouldn’t happen otherwise, and she warned you.

She warned you then in that other part that you are now remembering in this part—by the way, she’s not wearing a head-rag or a voluminous colonial skirt, she looks rather like a successful businesswoman, like really successful, like the clothes are understated and exquisite, and if you keep thinking about this you are going to get a fair idea of exactly how much business she does, even though it’s of basically three types: get and re-get and un-get. At any rate, she warned you that the outcome of the thing she could make for you and the let’s-bake-a-weird cake things you’ll have to do with it that these things are unpredictable–maybe help, maybe harm, that’s what she said. And then she gave you what you wanted, which has amounted to simultaneously giving you what you want and punishing you for thinking it was something you could have.

Which is why you’re here now after begging her to meet you. And now instead of asking her to undo it, you are asking her to do more to it, and you know it’s like that time you agreed to cut your girlfriend’s hair and your attempts to correct your mistakes and then to correct your corrections ended up with her having a more or less skinned head. And, of course, how do you think Miss Conjure got those fine clothes that you could never in a million years afford, if not by giving people what they deserve when they think they deserve something else?

She’s answering her phone now and giving you the cellphone finger. You wander down the path like a kid headed home after being shut out of a game. Or maybe you’re just starting to give in to the next outrageous thing that’s going to come out of your mouth. You realize now that you’re in the arboretum not some mystical garden though there is in fact a kind of mystical slant of late afternoon light coming in from somewhere, big stripes of it across the path full of what looks like extremely fine gold dust and you could just crawl up under that tree where shade has given things clear edges.

And then she’s saying she won’t do what you want, and you shouldn’t want it done [three-beat pause], but she knows someone who will. Suddenly she’s gone and you are standing there looking at the back of one of her business cards on which she’s written a phone number and a name. But you won’t pause to consider whether you should explore possibilities other than calling Madame Virginie and taking that taxi that’s going to miraculously appear when you get out to the street. Or at least you’re going to think of it as miraculously appearing, along with other things you’ll interpret as presaging in a happy sort of way the world you’re going to be living in when you are defined by the love that you are thinking of yourself as merely nudging along.

Listen: cicadas, that sound that winds around everything until there’s nothing else.

Tol’ you so.