County Line

Like mist the county
rises, or maybe more like
the undulations
heat makes in time.

At a bend in
county line road,
in the shade of a mimosa:
policemen. One lounging
on an idling hood,
another tossing pebbles
at an innocent tire.

Anything come up out
that swamp they say
gonna pass through here.
The future is happening.
We got time.


Mind-the-Blanks 1

. . . a story to play with–the story emerges from what the reader’s mind does with the blanks when the reader is reading. No rules–it’s playtime.

The Couple

Two people, time, places, words, police . . .

Even before they were seated at __________, they started __________. They __________ about __________, but they both knew that what they were really __________ about was __________.

As usual, __________ claimed that __________, was __________. Then __________ claimed that that claim was totally __________ because __________ had actually __________.

“Don’t start,” __________ said and added, as usual, “Why do you always __________.”

And __________, as usual, responded by pointing out that __________ was the one who always __________. (And __________ never could resist adding that __________ was also __________.)

As usual, they were getting __________, and people nearby were __________. But what did they care? As far as they were concerned, they were __________, and other people were just __________. They never thought of themselves separately or together as __________ which, of course, was part of the problem whenever they __________.

The year before __________ had been in __________ for __________. During that time, __________ had __________, and __________ had never forgiven __________ for __________. In fact, __________ thought that __________ could not be __________ enough for __________ and started __________ every time they __________.

“Don’t think you can go on __________,” __________ said almost daily.

And __________ usually responded by saying, “I wish I were still __________ so you would just __________ about this and let me __________.”

And then __________ usually, sometimes rather too __________, said, “__________   __________.”

And so they had reached a kind of __________ when __________ found out that __________ had __________. The thought of this was so __________ that __________ could not __________ and instead of __________ proceeded to __________ at every opportunity, and such opportunities abounded because __________ simply refused to __________.

At night, __________ often dreamed that __________ and awoke to discover that __________. Of course, __________ thought that __________ was responsible for __________. But what bothered __________ the most was __________ failure to __________ when the opportunity arose.

For months, early (too early) every morning, __________ sat in the __________ looking at __________ and thinking __________had really __________ things up this time.

And so it was that things got so __________ that __________ began to devise __________ plans to __________ with __________ even though, as any sensible person would know, __________ would never __________ and any attempt to __________ would only __________ the __________.

Later on (but probably not later enough), when __________ was being __________ by the police in a rather __________ manner, __________ would put on a __________ face and assert that __________ was in fact __________ and had been attempting to __________ the __________ when it __________. Of course, __________ didn’t believe that __________ had __________, but played along with __________ hoping for __________ that was never __________.

And never would be.

Orfeo

mod detail Camille Corot Orpheus

You walk, she follows. You worry that she’s not following you.
Then you worry that she is.

This is the part where you go to get her back, you can’t live without her, you feel somehow guilty she’s gone.

You are looking for a place and a man not exactly a man–a man who’s a place, a place that’s a man. He has her, but what he really cares about is that you don’t have her.

He’s untouched by the supplications of the grieving, rather enjoys it as a matter of fact. He’s casual about it, sends a pale messenger up to pose palms out, nothing to hide, nothing to blame, the thing is done. Ooh, he tells you the one time he returns your call, a whole lotta fetchin’ women in the world for a good-lookin’ guy like you, a musician to boot, count your blessings, do your charm thing.

Nobody’s going to tell you go, don’t go, no one ever tells you anything when your heart is broken and everybody knows that worse is on its way. No one but the oracle, of course, who tells and doesn’t tell, says: find your way up to find your way down. Continue reading

It occurred to us as we were driving away

It occurred to us as we were driving away that _______ never had
_______. Had _______ just forgotten, or was it part of _______?
Maybe it was just _______ way of _______, but if so, what the
_______ were we _______, and where did we think we _______?
Thus, in a perfectly _______ day, we managed to _______ our
_______ by _______ the absent _______ into our _______, and
all our _______ was gone.

Beside Inside

Always there is that one beside you
no matter the gray evening with its
piercing stars or the silent road, an
invitation to abide or go,
it is what’s made for you that’s not you,
the thing past you in looking glasses,
unseen quests and all unspoken poems,
parent of the street’s cacophony
the mess of executed thought, one
with your inside face, mysterious
to you still as collapsing stars or
water bears or even the water
that washes you or fills your cup, as
promising as all forgotten things.

Salvage

the wild man, the recluse, the rustic
edgeling, hermit, housebound, hidebound
when magic is so somewhere not here
even when here is not a muddled blunder
like low clouds distant mountains
or the hole in the series where
the lock was, where I was, and all
the other places you never look
the heart a little animal
running and running on the flat when
the next thermonuclear hijack
makes everything an over thing
the loners’ club, how it happens
no place in our underfoot is not
towered down creatures before us
abandoned places, all their giving up
how we survive such vast undoing

 

Never Can Tell

Natl Archv Ranger Daughter Axe mod 3

A man with an axe and a girl, a forest ranger and his daughter, he seems focused on the axe, she’s looking on in that polite but hanging-back-in-your-mind way that kids look on when adults are making you look at something and never telling you why they want you to or why you have to sit there and be still until whatever it is they’re not really explaining to you is over, I just came out here because Mama wants me to ask if he wants coffee in a thermos, those tadpoles down in the creek yesterday hope they’re still there wonder if they’re frogs yet, maybe he’s working his way around to saying something about me scaring the bejesus out of Yaya last night, really shouldn’t have done that, wood feels good on my feet, warm, smooth, why is he all closed up over that thing like he’s glued to it or like it might fly off on its own if he doesn’t wrangle it down or something?

He’s working on the axe in an acting-ordinary kind of way, but he’s a little wound up, he’s trying to figure out how to say what he has to tell her, but every way he runs it by in his head it’s just too Continue reading

Paddycake

met terra cotta woman mirror crop 1 mod

paddycake paddycake
make us a man
make him run
fast as he can
send him to the city
send him to the town
give him a hand can
knock walls down
set him in a sliver
set him in a comb
send him to the country
send him out to roam
make him amuse us
make him fight our wars
give him a shadow
give him claws
adam cadmon
earth and sand
paddycake paddycake
make us a man
give him a word
no one can hear
give him a prayer
no one can say
send him to the airport
put him in the ground
make him tell us
where he’s found
send him with the spirits
send him with the waves
give him the keys
to every rock and cave
put him in a tumbler
put him in a boat
give him a beard
like a billy goat
give him all our kisses
give him all our clothes
let him know things
nobody knows
make him fearsome
make him wise
give him sticks and
stars for eyes
make him bad and
make him good
an army of banners
a tower of wood

________________________
image: Metropolitan Museum of Art http://www.metmuseum.org/collections/search-the-collections/248689

Our late discovered

Our late discovered lake and crypt
With its sergeant bougainvillea and
Prim interior, such stays against
The dangerous preoccupations
Of youth, how then mortality seems
Near in a romantic way but
Soon rides us with its stinging crop
Stitches the tides of our breathing
Nets us with its familiar stare.

we alight

we alight
a branch, a pencil
someone’s hand
imagined home

our submarine, our coast
our delight, our new skin
our body bag

our moon, our outer space
our buddy the robot
roved out of orbit
equipment
left behind
is reprimand

the power hand
a lie, a command
a storied put-together
duct tape, spite
spit, static

our mystery scene
our screen seen
our camera that
shaky trope
disappeared
our all again

Tree, woods, cave, wheel

The jump tree to tree
or the rupture there where you
were, here where you are.

Backwater, deep woods–
something human crops up in
the sift, bronze or bone.

In the cave things feel
larger than they are, every
dark thing but exit.

This little wheel we
drive drives us while all the while
wonder awaits us.

 

 

 

In the far away

In the far away, something close,
the electrified matter of touch,
how it runs from skin to bone
and sits in your being,
what love there is in human hands.

The cool of the screened porch,
outside inside, bowls in our laps,
peas still warm from the garden
so many to shell, so much light
in that sinking time of day.

The mockingbird’s back–
who shall I be for you
any everything, even not bird,
and who shall you be–
for me? All I am is sound.