Breathless

6 Sep 2013 dwnld 2 010 mod scp bw

I cannot recall exactly when it was or where, whether in some public place or private, that I looked at you, perhaps across a table, perhaps across a room, perhaps up close, even in some intimate skin-to-skin moment that in retrospect would not really be intimate at all, or perhaps in one of those sightings I had of you in various places around town where I’d not expect you to be–I wasn’t noticing that anomalies reiterated cease to be anomalies–but wherever it was, I looked at your face and it was like looking at a face with a closed door behind it, and I knew you were already gone, gone not just into your thoughts and silences, or the silences I took for thought, but into some other place, knew that you were living your life elsewhere, knew, without exactly thinking of it this way, that you had constructed another life and moved into it, that there was no more being with you when I was with you, and when I thought of our life together, where I still was but you weren’t, I could almost hear the hammer and drill of demolition, and see the workmen smoking and joking around on their break. After that, there was always sawdust in your touch, and I was someone who was not me with someone who was not you, though I always thought of you as substantial somehow, while I was a ghost haunting the place that had once been my life.

I felt all the time as if the breath had been knocked out of me, and in that way in which the mind pulls up the only memories that somehow correspond with a present that makes no sense, in one of my desolate reveries, I suddenly remembered, as if waking up in it, a time when I was probably ten or eleven years old and Mother and I went to visit the preacher’s family, the daughter was about my age–Mother was probably hoping I’d find a friend, so little did she understand the real conditions of my life, the ones that had started, of course, with her–and she was inside having coffee and chatting or whatever it was that adults who didn’t know each other did, and I was outside with the girl and her brother, and out of nowhere, he knocked me down and began to jump on my chest—and he was a big chubby guy, there was no way I could get up, and there was no air in me, I think I may even have blacked out for a bit. I guess his sister got him to stop, or like all bullies he had an instinct for when he’d done enough damage and could put the innocent face back on, and it was one of those don’t tell or I’ll kill you kind of things.

But he didn’t even need to tell me not to tell—there on the ground with the wind knocked out of me, whatever I was pulled back into that little space inside where I had my life, like the closet one tries to hide in in dreams of being stalked or chased: I already knew that there was nothing that could be done to stop it, that nobody was going to help me. It was a moment of absolute clarity and absolute solitude, and although it was really only part of a history of encounters with malicious children that started when I was three or so and went to what was called kindergarten then—it was really a kind of corral in which children did as they pleased under vague supervision—it was one of the events that I had put furthest from my mind until the memory of it suddenly cropped up. When he knocked the breath from me and in a very determined way made it impossible for me to breathe, I was shocked—physically—and I was taken by surprise, but in the long view of things, I wasn’t surprised that someone was hurting me, that it felt like some kind of annihilation, that it made no sense. That was what being in my world was as a child, no one was looking out for me, so harm and helplessness was always a nearby possibility. I wasn’t a cringer or a hider, but I had a habit of kind of spacing out, which I now realize was a kind of defense that probably only made things worse by making it easier for mean kids to catch me off guard, to inflict a kind of chaos on me, and then move on to the next thing as if, for them, nothing had happened.

Of course, it wasn’t as if you were beating me or as if you had some kind of malicious plan, just that you had casually hurt me and now you were done with it, and done with me. Like all betrayers, you acted as if you really had nothing to do with what had happened, and like all betrayals, an essential element was that you made me party to my own undoing by letting me think things were what they weren’t, for quite a long time as it turned out, though I would never know precisely how long. All the years of my life that I had spent with you, over half of my life then, were suddenly obliterated—when I thought of the past, I knew it wasn’t what I thought it was at the time, it had just been emptied out, like my present had been emptied out when I wasn’t looking. It was just suddenly as if there was nothing left, nothing left of me, nothing left of you, not even in my dreams, which were now populated with people I did not know in places where I’d never been.

Orfeo

mod detail Camille Corot Orpheus

You walk, she follows. You worry that she’s not following you.
Then you worry that she is.

This is the part where you go to get her back, you can’t live without her, you feel somehow guilty she’s gone.

You are looking for a place and a man not exactly a man–a man who’s a place, a place that’s a man. He has her, but what he really cares about is that you don’t have her.

He’s untouched by the supplications of the grieving, rather enjoys it as a matter of fact. He’s casual about it, sends a pale messenger up to pose palms out, nothing to hide, nothing to blame, the thing is done. Ooh, he tells you the one time he returns your call, a whole lotta fetchin’ women in the world for a good-lookin’ guy like you, a musician to boot, count your blessings, do your charm thing.

Nobody’s going to tell you go, don’t go, no one ever tells you anything when your heart is broken and everybody knows that worse is on its way. No one but the oracle, of course, who tells and doesn’t tell, says: find your way up to find your way down. Continue reading

Saying Not Saying

onfim 8 b mod 1

This is how you make it stay still.

This is the part where you pick up a piece of paper and inspect it to see if there’s writing on it. This is a thing you do, it’s part of the part.

You want to know what everything says, that’s what you’d say if someone asked you, but no one will ever ask you, no one ever asks you anything, no one even listens now when you talk, so you’ve given up on saying.

But if someone did ask you something and then actually listened, you would say this, you would say I want to know what everything says, and so the one thing you would say that someone might listen to would be untrue because you don’t want to know what everything says–everything is too much saying and not enough said, there is entirely too much saying, nothing ever gets finished because there’s so much saying saying saying, uncontained promiscuous saying, it snakes into your house from work, it snakes out of everybody’s house out into the street, it’s wrapped around everybody’s head, the air so thick with saying you can hardly breathe, such a glut of saying that no word means more than any other word anymore, and anyone is someone-everyone-no-one.

This is how you make it stay still. This is how you look for saying that says.

This is how you got to the part where you’ve picked up this piece of paper, something lost or discarded on which someone might have written something, like all the other things you pick up, something public that has now become forever private by virtue of never arriving anywhere, except where you are picking it up, reading it in the expansive dead letter office you’ve become.

Grocery lists, phone numbers scribbled on the backs of flimsy receipts, take out menus with every fifth word heavily underlined or circled, crumpled and mauled looking high school exams with vines and flowers heavily inscribed in the margins, pages from coloring books, a photograph of a lost cat on a flyer, some yahoo has scrawled a penis shape over its face, a drawing of a doll, or a girl, with crosses over its eyes, a story underneath something that could be a hat or a pot: thn the spicemens kam from arisona en thir spiceshp an flewd al ovr up n hir.

One time a piece of notebook paper on which someone had written damn over and over, slanted left, right, straight up, even upside down exactly one hundred and thirty-two times, nothing good can come from all the counting you do, all the counting you can’t not do.

A letter, nobody writes letters anymore just rafts of email and barges of twaddle, probably then some ancient artifact: I hope you really didn’t see me at Bob’s the other night and that you weren’t just acting like you didn’t see me, though I don’t recall your vision being that bad. What is wrong? What? Why don’t you call me back? When we were down at the lake I thought we were happy. I thought you said you–the rest was a rip, a ragged edge, you keep expecting that missing strip to turn up somewhere.

Lost, tossed, looking all lonely, things that aren’t going anywhere. A notebook page covered with drawings of piles of cannonballs and knives and what appeared to be guinea pigs on their backs with their feet in the air, at the bottom of the page, the curlicued legend I conker all. A notecard on which someone had written in an old-fashioned fancy hand they shot him, they shot him.

The one you are now unfolding, written on stationery from Gramma’s Quainte Inne, written with a crawling sort of hand, someone has been needing to say something, someone has given up saying anything, someone has no one to say anything to: When I die, I want to be cremated by the King Tut society to. I will make arrangements for my body my bodily remnants remains my remains to be Arrangements have been made or will be made soon for the will be having have been made by for King Tut society to cremate me my body after I die pursuant to my death don’t scatter me over water don’t say anything. When I die I want

These orphan messages—once you read them bad luck to keep them, bad luck to throw them away, you’ve been stashing them in the crevice of a tree in the park down the street from your apartment, let the tree undo them, let the bugs chew them into lace, let the rain wear them down, let the world grind them down like everything else gets ground down till you can’t tell one thing from another.

There will be other pieces of paper you’ll pick up and read. One day one of them will be for you. There is a room inside you waiting for it, waiting for its saying, waiting for its numinous words.

_______________________
Altered image. Original image from: “The Art of Onfim: Medieval Novgorod Through the Eyes of a Child.” http://www.goldschp.net/SIG/onfim/onfim.html

Zelda Forgives You and Understands

noaa tornado 1 mod 1 bw

I forgive you for asking me to drive your car to the shop to have the brakes adjusted and neglecting to tell me that the brakes were like gone and that shifting into second gear would put the car into reverse.

I forgive you for trashing my turntable and my easel and my guitar and miscellaneous other gear that offended you for no other reason than that it was mine.

I forgive you for what I discovered the night the ice storm downed power lines and trees and unleashed a torrent of pigs from a farm down the road who rooted up every bulb I’d ever planted, something I could perhaps have curtailed if I could have seen them with a flashlight instead of only hearing them. It wasn’t just that the batteries in the flashlights were dead but that even when I located the good batteries I couldn’t find a good battery.

Here’s some friendly information for your new life with your new wife: putting dead batteries back in with the good batteries will not recharge them no matter how many dead batteries you try it with.

I forgive you for pissing in the cat box when you were drunk–I understand you just needed to mark your territory.

I forgive you for not even calling me when I was in the hospital, and I understand that you probably thought Continue reading

Face

We hope this friendliness will guarantee a future without details.

This is the part where we become not exactly friends, but friendly, or, rather, we enact friendliness. This enacting is some way of having a face for each other that is not the face we have for each other. That face doesn’t know what to do. Or, rather, that face knows things to do but those things are too unseemly or unruly to be done.

This face—the face of our friendliness–knows what to do because it knows nothing. It’s rather like the face one of us had when one of us found out, the open face with a door closing behind it, or the face that pulls some sort of amnesia along behind it, keeping its luggage with it at all times and not agreeing to carry something in it for a perfect stranger.

In retrospect, it’s astonishing how alike those faces are—the face of the one finding out, the face of the one being found out. Though, of course, the one being found out had been wearing that face for some time, a rather long time in fact.

This friendliness itself is a tacit agreement, a step-down, a pact without details. We hope this friendliness will guarantee a future without details.

If one of us thinks this friendliness is a truce, one of us doesn’t understand. If one of us thinks it’s like let’s do lunch, one of us doesn’t understand. If one of us in the future thinks help me move my furniture, one of us doesn’t understand. If one of us in the future thinks take care of the cat while I’m in the hospital, one of us doesn’t understand.

If one of us keeps mementos of a past us and the other one of us discovers the thumbed box, the thumbed photos, the thumbed postcard from twenty years ago, the lock of hair, that one, the discovering one, will be alarmed.

If one of us just happens to be passing by some trash receptacle in which the other of us has deposited, say, something that had formerly been valued—apparently valued—as a shared object—that perfectly good painting, for example–that one of us just passing by and just noticing might also be alarmed. This is why friendliness must be enacted in public where it will bear no resemblance to evisceration.

Violations of this friendliness will require the invocation of busy-ness and absence, so friendliness establishes busy-ness and absence in advance, a general kind of busy-ness and absence, a future state of things already beyond one’s control that insures the stateless state of the present.

The face of this friendliness is like a mirror that doesn’t reflect anything. It is something that cannot be studied or searched for anything other than its general look of interest or goodwill. It is the face from behind which one can say things like you poor thing how terrible! or that’s great news! that’s really wonderful!

It’s a face one thought oneself incapable of, there’s always so much cheerful sweeping up behind it.

Nail the Tale

Seven Parts: I. How About a Smaller Weapon; II. That Intermittent Rewards Thing; III. The Badness of the Aftermath of Badness; IV. How About Some Women in a Cave; V. A Spy from the Man Tribe; VI. How About some Men in a Boat; VII. Evil Men-Like Creatures in Caves.
Seven characters in search of a story: Art, Bert, Cris, Dave, Eddie, Frankie, Greta. Plus one guy who texts through Part I and departs in Part II, and one totally absent character: Mikey, who may or may not be bringing lunch.
Around a table. Talking. Cross-talking. Talking over. They’ve been at this awhile. They’re getting hungry.

Part I: How About a Smaller Weapon?

Art: We can’t have a kid killing his mother with a machine gun.

Bert: OK. How about a smaller weapon?

Cris: I don’t think the weapon is what’s bothering him.

Bert: What? The mother part bugs you?

Dave: How about somebody else’s mother?

Eddie: Or an evil step-parent?

Frankie: An evil supernatural step-parent.

Eddie: Or maybe another relative? An evil supernatural cousin.

Frankie: Or an evil supernatural twin.

Greta: Or an accident?

Bert: Accidental killing. Dogs him around, makes him do things. Drinking, smoking, compensating.

Art: Nothing involving a machine gun is accidental.

Cris: Increasingly desperate and fucked-up compensating.

Eddie: Oooh. Same flashbacks over and over.

Greta: And over… What? I didn’t really say anything, I’m just writing down whatever you guys say.

Dave: What if flashbacks changed in slightly different ways until they became the story and the present ceased to exist because it was in the future?

Greta: Are you high? Continue reading

Something to Love

The sadness of the family goes away when
you give up on your parents’ happiness.
Not far at first, it just moves in with
a family down the street–you see it
on their doorstep waiting for the dad
to get home. Kids at school think it’s your
cousin, looks kinda like you, you say
so what. Later it seems gone for good,
but then one day you’re riding in that
swaying endless station wagon, counting
phone poles and potholes and there it is:
looking all lonely, kicking weeds
in an empty lot. “Look, look!” your
mother hollers backing up and
looking back, and you see it
big as sunshine on her face:
she misses it, she misses that sadness,
she wishes it would come home.
Now you know that if it did,
she’d have something she could love.

pontiac ad pontiacsonline bw flp fin

we alight

we alight
a branch, a pencil
someone’s hand
imagined home

our submarine, our coast
our delight, our new skin
our body bag

our moon, our outer space
our buddy the robot
roved out of orbit
equipment
left behind
is reprimand

the power hand
a lie, a command
a storied put-together
duct tape, spite
spit, static

our mystery scene
our screen seen
our camera that
shaky trope
disappeared
our all again

Anywhere Anyway

 

way home sky crp

just you, just passing by which you are always only doing anyway

Looking out over the bay, black water and shimmy of lights on the freeway, the hills on one side, the city on the other, like some impossible place, I was struck with a thought the certainty of which was so intense that it was exhilarating: you could be unhappy anywhere. I said it aloud and laughed. I might not be happy anywhere, but I could be unhappy anywhere. I didn’t owe it to a place or a person to try to be happy, and all that trying always only means that happy is always not happening.

But if you could be unhappy anywhere, anywhere would do, any series of anywheres would do, no need to confine oneself to the imaginary places of cities or tick-tock suburbs or the don’t-imagine place of trailer parks, although perhaps some indefinitely prolonged tenure in one of those pull-in-here- we-got-a-pool places where tired dads finally give up the wheel and there’s a lounge of some kind nearby with those knobby teardrop candle holders the ones waitresses light by holding the safe end of a match between two fingers, lucky if it lights the first time you’re always going to burn a finger now you’ve done it.

Some guy shows up, you thought he was already dead, and there’s this faraway low bank of godforsaken hills like denuded things, something about them that you really shouldn’t be seeing like that time you saw your boss in an unlikely place actually sitting no shit at the feet of her boss with the mooney look of worship on her mean face, don’t look now but then you can’t undo seeing, and the lowlands stretching out to the horizon like a, like a I-don’t-know-what, and you’re alone in the pool at night, floating in a sky where you can’t land on anything. There might be something to that, or nothing.

Or you could just be on a plank road headed down into something hard to get out of or in a boat stitching into little ports along the southern coast of some island, some world. Or a little sticky place above some small-town shop the walls the color of old newspapers out in the sun, always smelling like newspaper, too, or cold toast, the window up there open, the sound of the typewriter reaching across the road up there, no one else awake, just you, just passing by which you are always only doing anyway, just wondering what someone is typing on a manual typewriter, maybe someone just a tad mad or just some forlorn someone wording and rewording something for someone who will never love them, the words barely holding off knowledge of the kind that cuts a lonely space around you that will never go away or that you always carry with you like something you can’t put down, you can’t let go, the thing you arrive at the party or the port with and no one anywhere knows where to put it, not even you, jackrabbit.

Anywhere, at least not some place where it’s winter almost all the time, but somewhat textured weather, maybe even occasional hail and a tornado or two, but mostly warm now that all the sexy parts of you have melted not that anybody anyway, nobody phoning up for you or mailing you a letter, like you care, but you don’t, you know, what a relief that finally you really don’t anyway. In some anywhere where you could be unhappy all that could just be over with, then maybe you or someone could say come over to my place, don’t have to be happy unhappy, don’t have to do anything say anything, don’t have to anything, just be.

It occurred to us as we were driving away

It occurred to us as we were driving away that _______ never had
_______. Had _______ just forgotten, or was it part of _______?
Maybe it was just _______ way of _______, but if so, what the
_______ were we _______, and where did we think we _______?
Thus, in a perfectly _______ day, we managed to _______ our
_______ by _______ the absent _______ into our _______, and
all our _______ was gone.

Mind-the-Blanks 1

. . . a story to play with–the story emerges from what the reader’s mind does with the blanks when the reader is reading. No rules–it’s playtime.

The Couple

Two people, time, places, words, police . . .

Even before they were seated at __________, they started __________. They __________ about __________, but they both knew that what they were really __________ about was __________.

As usual, __________ claimed that __________, was __________. Then __________ claimed that that claim was totally __________ because __________ had actually __________.

“Don’t start,” __________ said and added, as usual, “Why do you always __________.”

And __________, as usual, responded by pointing out that __________ was the one who always __________. (And __________ never could resist adding that __________ was also __________.)

As usual, they were getting __________, and people nearby were __________. But what did they care? As far as they were concerned, they were __________, and other people were just __________. They never thought of themselves separately or together as __________ which, of course, was part of the problem whenever they __________.

The year before __________ had been in __________ for __________. During that time, __________ had __________, and __________ had never forgiven __________ for __________. In fact, __________ thought that __________ could not be __________ enough for __________ and started __________ every time they __________.

“Don’t think you can go on __________,” __________ said almost daily.

And __________ usually responded by saying, “I wish I were still __________ so you would just __________ about this and let me __________.”

And then __________ usually, sometimes rather too __________, said, “__________   __________.”

And so they had reached a kind of __________ when __________ found out that __________ had __________. The thought of this was so __________ that __________ could not __________ and instead of __________ proceeded to __________ at every opportunity, and such opportunities abounded because __________ simply refused to __________.

At night, __________ often dreamed that __________ and awoke to discover that __________. Of course, __________ thought that __________ was responsible for __________. But what bothered __________ the most was __________ failure to __________ when the opportunity arose.

For months, early (too early) every morning, __________ sat in the __________ looking at __________ and thinking __________had really __________ things up this time.

And so it was that things got so __________ that __________ began to devise __________ plans to __________ with __________ even though, as any sensible person would know, __________ would never __________ and any attempt to __________ would only __________ the __________.

Later on (but probably not later enough), when __________ was being __________ by the police in a rather __________ manner, __________ would put on a __________ face and assert that __________ was in fact __________ and had been attempting to __________ the __________ when it __________. Of course, __________ didn’t believe that __________ had __________, but played along with __________ hoping for __________ that was never __________.

And never would be.

Still

iphne gulf shores oct 2013 114 RAIN RSZD

Down on the coast, the smell of the rain arrives before the rain does, its shadow moves under the water, it’s the dark with a fluorescent light inside it, an x-ray of the part of you that’s like the Milky Way.

Where were you when I was there? One day like another, drowsy, hot, the mind off somewhere with a sand bucket, unsupervised. Floating in the ocean stretches you out till you are bodiless. You forget it’s the same place you saw stingrays gliding up inside a tall wave before it broke.

I sat inside my life like it was mine. I was only waiting for your arrival until waiting became not knowing where you were. After that, waiting became knowing that your not coming meant you were staying away. Then there was all kinds of knowing things I didn’t want to know.

When we used to write letters, there was something of yourself you gathered up to send, it wasn’t even in the words sometimes, it was like opening up the thing that’s solitary about someone when they are thinking, you could enter in to it, you could fold it up and carry it around, open it up and marvel at the little creatures inside. That was what treasuring some absent someone felt like. That was what the past felt like till I knew better.

Driving into town, seeing somebody’s boat up in the front yard where the last hurricane left it, everything about the place askew. Thinking it could be that someone just finally gave up on it and left. Then thinking that even that wreckage could be a sanctuary for someone’s tenderness, someone could be in there asleep in someone’s arms, the smell of his skin like a balm.

I remember one day taking clothes down off the line before a storm and having to chase down a shirt of yours the wind got hold of–it made me laugh, all the world was alive. If someone had told me then that that would be my happiness in life, or that my happiness was already over but I didn’t know it yet, I wouldn’t have known what that meant, it still would have been just another day like all the days I loved you, that it might not be still wouldn’t cross my mind.